Your mention Hot Ones reminded me of Nardwuar, who has been doing similar “social cache busting” interviews of musicians and other celebrities for literally as long as the Hot Ones guy has been alive.
I appreciate them both, so that isn’t meant as a slight to Sean Evans, but rather a compliment of the depth and breadth of both their research and staying power as interviewers.
Surprisingly (to me, anyway, as I didn’t know this prior to looking it up for this comment!) Evans even credits Nardwuar specifically as one of his influences in this Brother Ali interview, which would explain a lot of the similarities:
I can’t say for sure, I’m just taking them at their word. Given what OP omitted due to possible spoilers, it’s hard for me to second guess either of you.
It seems fair to say that you might be right about the conclusion that you’re drawing from what OP said, and OP could be honestly mistaken about which story they were referring to, but it seemed charitable to assume that they know better than I do.
I don’t mean to assume that you were wrong, either, as it’s entirely likely that you’re right, or at least that it’s reasonable for you to assume that the story you mentioned fits your interpretation of what OP referred to better than the one they mentioned. You’re the authority on what you believe and understand about what you read from OP’s comment, and I can’t disagree with another’s opinion about what something seems like to them.
Given what OP omitted and stated, I don’t disagree with your assessment, as I haven’t read the story OP mentioned, and it’s been a while since I read the one you referred to, if I remember correctly.
To be honest, my first thought was that you were both referring to the same story, and that the title differences were due to one or the other of you reading the story in a different language.
My point in commenting was to perhaps add context in hopes that it would bring clarity to the discussion, as it seemed that you were bringing into question whether or not the story OP mentioned existed at all as such, and I myself wasn’t sure that you and OP were referring to two different independent stories rather than the same story with different titles in different languages.
This comment has probably gone on Tlön-g enough, and is leaning more Borges than anticipated. I apologize for perhaps coming across more definitively than intended in my original comment.
Demon Seed is schlocky, but it’s perhaps worth watching once. That said, I will readily admit that the film is bad for many reasons. Though horror films aren’t generally known for being inoffensive, the ending is disturbing in content and gratuitous in presentation. Perhaps the film works best as a warning and as a critique, though I’m really scrounging and scraping here. I blame Dean Koontz for the premise of the original novel, though I have no idea why anyone thought that the book needed to be adapted to film, but here I am talking about it.
I’m glad you brought up Demon Seed all the same, as I was reminded of it while reading TFA.
When the computer system from the film commands a character to “open that door, and clean these lenses” in a particular scene, the absurdity and mundanity of being commanded to clean a camera by an AI is subtly horrifying.
For a modern analogue, I’m reminded of DoorDash workers being dispatched to close doors left ajar by passengers of autonomous Waymos.
it's on your end, works fine here and i go out of my way to piss google off.
with that being said, both my extremely liberal doctor of political science friend and myself (i lean authoritarian and center) find it to be ... underwhelming.
HyperNormalisation (2016) is a documentary film by Adam Curtis; the word/concept is from a book, so maybe that's what you're referring to? I have only seen the film myself.
As to your question about Soviet collapse, I don't think I could coalesce the views of the 166 minute documentary to this comment field while doing it justice. I'm not sure that there is a direct casual relationship or arrow of causality between the collapse and use/misuse of language, as much as there is a feedback loop between the two.
> HyperNormalisation is a 2016 BBC documentary by British filmmaker Adam Curtis. It argues that following the global economic crises of the 1970s, governments, financiers and technological utopians gave up on trying to shape the complex "real world" and instead established a simpler "fake world" for the benefit of multi-national corporations that is kept stable by neoliberal governments.
> The word hypernormalisation was coined by Alexei Yurchak, a professor of anthropology who was born in Leningrad and later went to teach at the University of California, Berkeley. He introduced the word in his book Everything Was Forever, Until It Was No More: The Last Soviet Generation (2006), which describes paradoxes of Soviet life during the 1970s and 1980s. He says everyone in the Soviet Union knew the system was failing, but no one could imagine any alternative to the status quo, and politicians and citizens alike were resigned to maintaining the pretense of a functioning society. Over time, the mass delusion became a self-fulfilling prophecy, with everyone accepting it as the new norm rather than pretend, an effect Yurchak termed hypernormalisation. It has since gained further resonance in the social media era in 2025 in the U.S.
I think you might also like to check out another Adam Curtis documentary series, Russia 1985–1999: TraumaZone. I'm not an expert, but it seems to me that, ironically (or not), after the fall of the USSR, the government no longer controlled the media directly. Oligarchs appear to have taken over nearly everything under privatization, including the media and the nominally democratic government, so it's hard to say that it was better or worse than before the fall, rather than differently bad. Certainly many lost their lives, and that's lamentable to say the least.
In researching this response, I learned of a new Adam Curtis doc series that came out last year, which I just started watching. The "talking computer" at the crisps factory with a phone based ordering system was interesting to see.
> Shifty is, according to the Guardian columnist Lucy Mangan, a "purely UK-focused dissection of recent history, built around the idea that the growing atomisation of society has ushered in an age in which the concept of a shared reality on which we can all depend has dissolved – and with it any hope of a functioning democracy." The overarching theme is that Britain is haunted by its past, constantly replayed through the media, which prevents it from going forward with a vision for the future.
> Shifty depicts the changing landscape of Britain under Margaret Thatcher, including a shift of focus from politics to finance that saw the collapse of industry in the UK.[8] Curtis argues that this shift towards individualism and consumerism has incurred a dismantling of democracy over the last 45 years.
It might well be, yes -- it's a long time now, I have read all his published novels except maybe in the last couple of years, and I am not sure which one is which.
https://github.com/minimaxir/hacker-news-undocumented#downvo...
> After users reach 501 Karma, they gain the ability to downvote another comment.
reply