I'm all in favor of Orwell on HN (probably too much so) but this is not the way to do it!
If you post the generic information "Orwell", which is all that "The Complete Works" really points to, then the discussion will only be a boo-vs.-yay thread about Orwell-in-general. This is not so interesting, and that sort of thread usually degrades pretty quickly.
What you should do instead is post the most uncorrelated/curious article by Orwell (or maybe about him) that you can find—preferably something that highlights some little-discussed or surprising aspect. Then the hivemind has something fibrous to chew on.
This is an application of the principles "lists don't make great HN submissions" [1] and "generic subjects are less interesting" [2].
All of Orwell's works are in the public domain in Canada and Australia, and can be obtained in multiple formats, from Project Gutenberg Canada or Australia:
It would not be legal for American residents to access the above. His works remain under copyright in the USA; now 95 years from publication so Nineteen-Eighty-Four will enter the public domain there in 2044. Though really, things are getting, if you will excuse the expression, rather Orwellian with copyright, and it seems likely to me it will never become public domain.
Note that none of these sources are by any means the complete works of Orwell. Much of his writing was done in newspaper columns that were never collected during his lifetime or, due to resistance from his widow, for many years after his death. The true complete works was published in 20 volumes in 1998, of which the latter 10 volumes were content previously not published in book format (afaik). Unfortunately, though understandably, this set was a small run and mainly ended up in the hands of collectors and academic libraries. Anyone who has access to it would do the world a great service by scanning and uploading it to libgen or similar.
Let people keep their works exclusive if they so wish.
We don't publish the formula for Coca Cola, but somehow an author (or his estate) has less entitlement to his own work, than an a flavour technician at Coca Cola.
Stop cheating the rules. It makes me not want to write, not want to work.
The strongest desire I have for an authoritarian leadership is to keep sticky hands and brazen heads off works, that took a lifetime to make.
People say we don't need the wrath of god, but we also don't need the double standard of "secrets for me, openness for thee".
We’re not talking about private correspondence or unpublished drafts here. Orwell clearly didn’t want these works to be secret, given he published them in the newspaper.
His widow wanted them forgotten because she wanted to control his image. He is a controversial figure whose ideas changed a lot over the course of his life. After her death, they were collected, presumably with permission from the family.
That they are not in wide circulation now is because they are voluminous and obscure, so there is no market to sell them. I certainly am not interested in reading all of his book reviews and political reporting. But many more people are interested in reading them than have the university connections required to do so.
There is nothing to be lost and everything to be gained by making the complete works available to anyone for free, or even for a normal amount of money. But no publisher is going to because it’s not profitable. That’s fine, they don’t have to, but that fact undermines any argument that a volunteer who does this archival work is somehow acting immorally.
Publishing in the newspaper is not proof of future intent. People want published works retracted all the time. Half of all youtube videos since 2015 have been deleted. Should I go undelete those videos on their behalf, just because they published them once?? Come on!
She should be allowed to control his works if she is the legal owner. If it's just to control his image, then yes that's a lame intent. But she should be allowed to do it.
Exclusivity is lost. Control is lost. Cover from global attention, is lost. The ability to recommend articles to the suitable audience, is lost.
Taking something that doesn't belong to you and posting it on the web (for free, no less) is 100% immoral.
Yes, we should allow Orwell to keep his works private (that is, printed in newspapers for the public as he did himself) and not public (that is, in the hands of the small number of private collectors who would be interested in preserving these works).
How much worse of a world would you be willing to accept if it being worse gave you the slim chance that you'd profit a small bit longer if you ever had success?
Would you close public libraries if you believed it gave you a 3% profit increase when you do so? (In fact having a library opened will generate more readers, so more customers will be buying you book even if some can rent it for essentially free).
These are not a trick questions, they are the actual ethical questions at play here — and the reason you are being downvoted.
As a European it is also crystal clear that this kind of thinking is the root of most major social problems the US is experiencing for decades now (in comparison to nearly all other similar wealthy nations). The US would be in a much more economically sustainable place now if it wasn't for the constant "privatize gains socialize losses"-game.
It doesn't matter what hypothetical profit I could make. I didn't dream of fat stacks of cash and then derived the desire to write.
I should (and do) have the right to prevent pilfering of my work. Or more accurately, forced inclusion into a system of pilfering, not just one thief taking to afford bread, but tens/thousands/hundreds of thousands doing the same, together.
I love the option to include my work on the web, in a library, ect. But to do so against my choice is beyond the pale.
I love the option to keep things exclusive and electively publish.
I write for my own reasons. I get it, the son makes abundant life for all, and the thief destroys all. I agree with the 'book' that states that truth.
Putting concepts and ideas on the web or in public access is not a clear cut win, and some ideas need decades of work to mature before they are both palatable to the public and also kept away from systematic rewrites and revisions, kept away from making a bad first impression on customers, ect , ect.
There are many many examples of works being repossesed and edited against their original intent on the web, we saw it happen to Roald Dahl recently, JK Rowling is probably next.
Why would I write harry potter if I was not motivated by money and also knew that a beaurcracy in a foriegn country was going to erase Hermoine from my books.
I'd keep my work completely out of reach, and profit less, and retain control.
Because guess what, at the end of the day, some people like Einstein, Newton, Dickens, Twain, ect would consider the work they created to be meaningful in-and-of itself. And someone who sacrifices for decades to make such a work, would rather protect it, than prostitute their beliefs for economic gain!
I mean come on, we all have notice the drop in quality of works produced and then we defend the perverse anti-incentives we have in place.
The best way to have your cake and eat it, is to actually have your cake and eat it.
Incentivize the best work to be created and then protect it once it exists. In that ideal world, who cares if people don't pay? As long as the freedom to create and deploy or retract is unimpeded, then quality works can exist.
Who cares what he did, once open, is not always open.
Youtube has deleted 50% of it's videos since 2015. Do I have the right to reach back into those profiles and undelete them, and republish their deleted videos?
Yes trade secret laws and copyright laws are different things, true fact established.
If we're living under the rule of law and not an authoritarian society, you have to justify pilfering copyrighted works, which you conveniently, didn't.
I agree with you that rule of law is good. I think the copyright length should be reduced. But you're right, that just because I believe copyright length should be reduced doesn't give me or anyone else the right to infringe copyright.
However, you seem to be trying to use copyright to enforce secrecy on a non-digital item, which doesn't work. Someone who owns that rare book can put in a library for anyone to come by and read.
Using copyright to enforce secrecy on digital items (Youtube videos) partially works. The reason it doesn't fully work is because there are exceptions for fair use.
You want me to prove a negative? How many times do scientists have to point that is impossible?
also known as; they can't prove God does not exist (flying spaghetti monster, ect, ect). You can't ask me to prove that no writing makes the world worse.
The problem is of incentives. Freedom to pilfer other people's works, is destroying the heart and soul in the desire to write.
Most of the world pretty much standardized on life + 70... for everything published around 1980s and later. We just made a bunch of shit up arbitrarily for things published before that conclusion was reached. Some countries backdate life + 70 to works published before life + 70 was a thing. In the US it's 95 years after publication for anything published before 1978 (and life + 70 for anything published in or after 1978).
So, Orwell remains under copyright in the US because his works were published <95 years ago, before life + 70 started applying. For a hypothetical author that published something on January 1st 1978 and died the same year, that work would enter the public domain in 2048. If the same work was published just a day earlier, it'd enter public domain in 2072.
Another conclusion one can reach from this is that life + 70 rule itself is under 70 years old, so no work actually entered public domain that way, and in the US no work will enter public domain that way for the next 25 years.
It would not be legal for American residents to access the above.
Why would it not be legal to access it? It isn't being reproduced, distributed, performed, publicly displayed by the reader. What would the violation be?
Not a lawyer but most countries have the idea of secondary or contributory infringement where if you compel, induce or cause someone else to infringe copyright you have committed an offence. It's probably very hard to prove.
> But he does not see, or will not admit, that a return to ‘free’ competition means for the great mass of people a tyranny probably worse, because more irresponsible, than that of the State. The trouble with competitions is that somebody wins them.
This seems incomplete, using the wrong definition of 'competition' to try and make a clever point. Competition does not necessarily grant permanent 'winners' or 'losers', unless the 'game' is forcibly ended for good. Infinitely repeated games are very different in nature from singleton games, and the number and nature of the players involved are also not fixed.
This website looks like possibly the worst way to read George Orwell (or anyone else). Links to individual chapters, text in a narrow (and non-adjustable) column, a search function that doesn't work...
If you haven't read anything else by Orwell except Animal Farm and 1984, I'd suggest starting with Homage to Catalonia.
It's a pretty amazing story (non-fiction), and also quite apropos to our current political reality with people calling for civil war. I think that's just crazy right-wing rhetoric, but still. Orwell writes about how the military becomes split into factions and civilians become divided, with cities either becoming strongholds or splitting into fighting neighborhoods with escalating violence. Definitely a must read.
> The list includes dozens of suspected communists, “crypto-communists,” socialists, “fellow travelers,” and even LGBT people and Jews
The point is both Animal Farm and 1984 are about Stalin's Russia, not about a Western country, and the attempted proletarian revolution in 1984 is against communism.
It never occurred to me that it could be read another way, but apparently people have different interpretations [1]. Asimov's review [2] seems to support my interpretation, too:
> It was most popular at first with people who leaned towards the
conservative side of the political spectrum, for it was clearly an
anti-Soviet polemic, and the picture of life it projected in the London of
1984 was very much as conservatives imagined life in the Moscow of 1949 to
be.
I read it, totally unprompted by school, when I was a teenager and was pretty stunned by it. I didn’t see it as a tome about Stalinism at all because I didn’t know about Stalinism then, but instead read it as something much more profoundly universal. Even profoundly British too, I think it could have been written without any influence from Stalinism even though in later years I see the obvious parallels and influences of that particular issue. The fact remains that I think there’s something much more profound about humanity in the collective than warrants a strictly Stalinist or communist reading. What it says about the structure of human societies is fairly common and universal - doesn’t take a spin on a Marxist reading to think it’s just repeating that class analysis.
> So once again, let’s invite the obvious: Orwell is lying when he calls himself a socialist. And again, once the possibility is admitted, the evidence piles up. Read Orwell’s correspondence with poor Victor Gollancz over Wigan Pier and you see the stolid, loyal Gollancz trying desperately to understand why his star writer spent so much time vilifying his fellow socialists in a book commissioned by them. Read that exchange and you’ll never buy Orwell’s version of himself as simple, honest man. He’s the Satanic diva, pushing Gollancz into objections which allow Orwell to play the lone, misunderstood hero.
> But if he never was a leftist, why did he call himself one? For Orwell, the red star was protective coloration. It allowed him to smuggle his hates into print, gave them a fine radical gloss, and spared him the cold, clear readings his essays deserved. (Only academics believe that writers want to be understood. Writers want to be misread to their advantage.)
I've read Wigan Pier. I've read his criticism of socialists. And nothing in it precludes him from being a socialist. However, the hysterical reaction to it by other socialists proves it hit the mark.
"Socialists" are largely bitter unsuccessful upper-middle class or above and speak in academic babble that is completely offputting to the actual working class who they claim to represent. And this (to the great pleasure of capitalists like me) ruins any chance of them succeeding. It's just as true today as it was when Orwell pointed it out in Wigan Pier, and it's why you came with an ad hominem instead of saying he is incorrect.
> Sure, the USSR did some objectionable things, but
> George Orwell’s infantile politics are most evident in his magnum opus, 1984
> But there is a reason we remember Orwell. And it is not because of his literary prowess. It is because of the novel’s political utility to reactionary capitalist and imperialist governments
Orwell is not above criticism, but you'll have to do better than that.
If you post the generic information "Orwell", which is all that "The Complete Works" really points to, then the discussion will only be a boo-vs.-yay thread about Orwell-in-general. This is not so interesting, and that sort of thread usually degrades pretty quickly.
What you should do instead is post the most uncorrelated/curious article by Orwell (or maybe about him) that you can find—preferably something that highlights some little-discussed or surprising aspect. Then the hivemind has something fibrous to chew on.
This is an application of the principles "lists don't make great HN submissions" [1] and "generic subjects are less interesting" [2].
[1] https://hn.algolia.com/?dateRange=all&page=0&prefix=true&sor...
[2] https://hn.algolia.com/?dateRange=all&page=0&prefix=true&que...